Interview
Staying authentic with KR$NA
“No matter how many curve balls life throws at you, you have to power through it.’
Indian Hip Hop is on fire. For KR$NA, Hip Hop has been lighting up his bones since the days of early Snoop, Pac, BIG, and Eminem. At that time, he was the socio-political rapper Young Prozpekt, who ended up posting the first Indian Hip Hop track on YouTube. Soon, he was signed to a major label, and KR$NA was born.
KR$NA has been on the top tier of Indian Hip Hop for a while now and just released a mixtape, Yours Truly, on Mass Appeal India. He’s also been hanging with Nas in India, as well as soaking in the knowledge from true OGs Slick Rick and Raekwon. LiFTED is proud to introduce our July 2025 coverstar, KR$NA.

Thanks for being on the cover of LiFTED for July, KR$NA. We’ve been following your work and have always been impressed. How did you get into Hip Hop in the first place?
I got into Hip Hop pretty young, started listening to early Snoop Dogg, Nas, Jay Z, B.I.G., Pac, and Eminem, and just fell in love with the genre. I loved that Hip Hop was so no-holds-barred in its approach, and they were saying things no other genre could. It spoke to me in a way that nothing had in the past.
You started as YoungProzpekt before you got to KR$NA. What was the reason for the name change?
As Young Prozpekt, I was known for a lot of socio-political Rap that I did early on, but when I got the opportunity to sign my first label deal with Universal, I knew they were expecting a more commercial sound from me [and in English as well]. So in a way not to tarnish Young Prozpekt’s legacy, I switched to KRSNA and then eventually added the dollar sign when I reintroduced myself after my hiatus with Vyanjan in 2016.
You were an early adopter in technology as ‘Kaisa Mera Desh’ was the first Indian Hip Hop song on YouTube. What role do you think that technology and YouTube specifically has had on the rise in Indian Hip Hop’s popularity?
I think the biggest game changer for Indian Hip Hop has been the Internet and consequently YouTube, since it gave everyone equal access to information, entertainment, and music. If it weren’t for smartphones and mobile Internet, Hip Hop would not have penetrated tier 2 and tier 3 cities and smaller towns and villages. YouTube allowed anyone to publish music and get their music videos seen with no label backing needed. India has progressed beyond YouTube now with streaming becoming the main focus, but in other South East Asian countries like Cambodia, YouTube is still their primary platform, much like India four to five years ago.

How do you view the current state of Indian Hip Hop? Do you think we are living through the Golden Era or just scratching the surface of what is to come?
This is far from the Golden Era, I feel like Hip Hop in India is still at about 40-50 percent of its potential. We are still way behind mainstream Bollywood music, but our popularity and numbers are outpacing everything else. The Golden Era may still be 5-10 years away, but our second generation is solidified.
Let’s talk a bit about Yours Truly, the first mixtape that you have ever released, and your first time working with Mass Appeal. You’ve done it in a podcast format. What are you hoping listeners get from that?
Yours Truly is a mixtape that I feel I am more myself on, be it vulnerable or talking about feeling frustrated and left out by the industry, or even going back to my signature sound in tracks like ‘Knock Knock.’ I hope listeners get a more in-depth peek into my mind and the struggle of an artist to keep pushing boundaries and yet balance it with some commercial success to keep oneself relevant in a fast-moving world where success can be fleeting and short-lived.
You’ve included other Indian artists like Seedhe Maut, Yashraj, Raftaar, and Badshah on the tracks as well as Awich from Japan. What was it like working with her? Tell us about the making of ‘Asian State of Mind’ as well.
Working with Awich is always amazing. ‘Asian State Of Mind’ was her brainchild, and I thought it was a brilliant idea. Just bringing everyone together on a track and showing solidarity in a region largely ignored by the Western world made so much sense. We can all push forward together and make ourselves heard.

Recently, Nas came to India. How did that feel? What does Nas mean to you personally, and to Indian Hip Hop in general?
I mean can you imagine? Nas…in India? That’s crazy! Nas has one of the best pens to grace this Earth, and to have him in your corner is the best feeling for an MC. Nas is an amazing person and so down to Earth even at this point after all his success. Class!

You’ve recently spent some time with Slick Rick and Raekwon. What did these GOATs teach you?
Slick Rick is the godfather of storytelling in Hip Hop. He laid that foundation and still sounds fresh on a track like he hasn’t skipped a beat after all these years! That’s crazy to me! And Raekwon the chef keeps cooking! Heard some of his new project and when we spoke he was so in tune with what was happening in India and really just dropped everything to talk to me and I’m so grateful to have been in the presence of such an MC.
If a 17-year-old MC on the streets of Delhi walked up to you and asked you for your advice on how to make their name in the Rap game, what would you say to him or her?
I would only say, find your style, choose your lane, and keep at it. No matter how many curveballs life throws at you, you have to power through it. One day, it will all work out.

How have you kept your authenticity while striving for commercial success and global reach?
It’s important to find a balance. Sometimes fans or listeners don’t understand why artists don’t make experimental projects and move out of their comfort zone a lot once they see success. It’s because there is a very fine line between relevance and redundancy. You are being bombarded with hundreds of new songs every day, in that environment, people come to expect something from an artist they like. One needs to keep those expectations in mind while still striving for artistic greatness, which in itself is an art I would say.
All in all, you have to stay authentic and pursue what feels good to you. It comes through.