Korean Hip Hop star Kid Milli is in double-drop mode. At the end of March, he returned with LOVESICK, his first album in two years. Just one week later, he followed it up with LOVE$ICK. In an era where artists often sit on dozens of finished songs, Kid Milli turned that overflow into a statement, splitting his latest ideas across two separate releases instead of squeezing them into one bloated project.

LOVESICK is a 14-track burner that moves with the fluidity of a DJ set. It opens with the jazzy looseness of ‘Who You?’ and ‘TORO’ featuring Crush before ‘O……….’ slides in mid-motion and flips from smooth R&B into a double-time Jersey Club rush. That constant shape-shifting gives the album its pulse. Kid Milli keeps bouncing between high-energy flexes and more reflective moments without losing the thread, and cuts like ‘Tom Hanks’ and ‘... Running on Fumes brings the project home strong.

If LOVESICK had been the whole return, fans probably would have been satisfied. But LOVE$ICK makes the rollout more interesting. Instead of leftovers, it feels like the darker twin. The title track, ‘LOVE$ICK,’ opens with lush orchestral textures and a guest appearance from DUT2 before the album leans deeper into murky, trapped-out production. ‘Damn I Flex’ carries a gritty swagger, while Kid Milli’s layered voice shifts give the songs extra instability and bite.

Taken together, LOVESICK and LOVE$ICK feel less like a deluxe edition split in half and more like two sides of the same late-night spiral. One project is more fluid and wide-ranging; the other sinks deeper into haze and mood. Releasing them a week apart was a smart move. Instead of one long album that risks blurring together, Kid Milli gives each lane room to breathe.

Check out Kid Milli’s LOVESICK and LOVE$ICK below.